monty python wuthering heights in semaphor

Only what she has common with original Cathy is this strange uncertain refusing Borderline character without any empathy. Her Motivations and character are totally unclear. She has such worse pronounciation that I understood nothing, and she is far away from interpretating text, how normally it s expected by studied actors and her overacting is far away from the adequat Interpretation by the Cathy of Binoche or Kate Bush, or specially the 20 version. I saw now this Versions but gave up after 90 min now, because I didnt understanding one word step by step, when the audiosound was instabil and stranged tecnicalla, specially Cathy with her horse teeth problems seems never to have had speech or declamation or at least logopedical lessons. And normally I enjoy different interpretations. (Cut to a ,Red Indian making smoke signals.I read the book several times, I saw all film adaptions, and four of it more of one times. (Superimposed caption on screen: 'GUNFIGHT AT THE OK CORRAL IN MORSE CODE' They buzz a bit.) Voice Over: From the makers of 'Gunfight at the OK Corral in Morse Code'. Two cowboys facing each other with morse buzzers.)

As he falls he brings out a really big Aldis lamp and flashes to the assassins around him.) Soothsayer pushes his way up to him wild eyed and produces Aidis lamp and starts flashing:) (Superimposed caption on screen: 'JULIUS CAESAR ON AN ALDIS LAMP' Close-up of Caesar walking in Roman street. A unique event in cinema history! Julius Caesar on an Aidis lamp! Voice Over: From the pulsating pages of history, from the dark and furious days of Imperial Rome we bring you a story that shattered the world! A tale so gripping that they said it could not he filmed. (Caption on screen: 'MONDAY FOR 7 DAYS' Stock film of a Roman chariot race.)

HE'S ALL THE THINGS YOU'LL NEVER BE, AND WHAT'S MORE. SUBTITLE: 'YES! YES! I'VE BEEN SEEING HEATHCLIFFE, AND WHY NOT? HE'S THE ONLY MAN I EVER LOVED. SUBTITLE: 'YOU'VE BEEN SEEING HEATHCLIFFE' Cut to shot of old man asleep in chair with head slumped Jbrward on his chest. (Pull back to reveal a nurse who walks over to cradle and waves flag brtefiy.) Suddenly two little semaphore flags pop up from inside the cradle and wave.) (Cut to interior of the early Victorian manor house. Catherine waves flags again.)Ĭut to her husband at front door of early Viaor'n manor house, looking stem. (With each cut they are further and further away from each other. (Pan across to Catherine who also produces two flags and waves.) Heathcliffe produces two semaphore flags from behind him, and waves them.) Pull out to reveal, on very long zoom, that they are each on the top of separate small hills, in rolling countryside. As if they are 1ooking into each other's eyes. Cut to close-up Catherine also in profile, with hair streaming in wind. Heathcliffe in close-up profile, his hair is blowing in the wind, he looks intense. (Caption on screen: 'THE SEMAPHORE VERSION OF WUTHERING HEIGHTS' Film: appropriate film music throughout. Twentieth Century Vole presents 'The Semaphore Version of Wuthering Heights'. From Emily Brontë's 'Wuthering Heights' and from the 'International Guide to Semaphore Code'. Voice Over : And now for the very first time on the silver screen comes the film from two books which once shocked a generation.

Monty python wuthering heights in semaphor